Sunday, 12 July 2015

REVIEW: Agatha Christie - The Pocket Essential by Mark Campbell (2015)




2015 is the year of Agatha Christie's 125th birthday. The Christie estate is gearing up for two new TV adaptations on BBC1: Partners in  Crime this July (miniseries starring Tommy and Tuppence, aka David Walliams and Jessica Raine), and And Then There Were None (TV film with an "all star cast"). We could also add the upcoming adaptation of Murder on the Orient Express (apparently without David Suchet!), possibly to be directed by Kenneth Branagh, and the release of Sophie Hannah's The Monogram Murders last year, to that list.

To coincide with the anniversary, Oldcastle Books are rereleasing a new and updated edition of Mark Campbell's Agatha Christie, a 'Pocket Essential' book which examines Christie's entire body of work, as well as every English language adaptation on television, radio, stage and film (not including the not-yet-released BBC1 adaptations and the new MOTOE). Mark Campbell has written for The Independent, Midweek, Crime Time and The Dark Side. He was also one of the main contributors to the two-volume British Crime Writing: An Encyclopedia, and the last theatre critic for The Kentish Times.

Campbell's book is a comprehensive and fascinating guide to Christie. For some die-hard Christie fans, most of the information should be well-known. We get thorough introductions to each Christie character, including Hercule Poirot, Miss Marple, Tommy and Tuppence, Parker Pyne, Harley Quin. We also get a complete checklist of Christie's work, and each character chapter offers a guide to the individual stories, with a case overview, context, and a review by Campbell. But even for die-hard fans, there should be something to get their teeth into. I enjoyed the character descriptions, as they are possibly the most concise and accurate descriptions I've seen, apart from Anne Hart's excellent character studies of Poirot and Miss Marple in the early 1990s. And it's always intriguing to read other reviews of the stories you know, to see whether you agree with them or not. Also, I was pleasantly surprised to discover that Campbell includes Christie's Mary Westmacott novels as well as her poetry, children's stories and memoirs. I shouldn't be surprised, since this claims to be a complete guide, but more often than not, books on Christie tend to focus on her crime writing career exclusively.

Since this blog focuses mainly on the Christie adaptations, particularly ITV's Agatha Christie's Poirot, I'm happy to say that Campbell is just as thorough when, later in the book, he turns his attention to every single adaptation of a Christie story. We get the same, handy guide to the individual adaptations, with cast, crew, premiere dates and Campbell's observations. The guide seems to be up to date as of 2015, including the final series of Poirot, Sophie Hannah's novel, and a new stage adaptation of The Secret Adversary. However, as a Poirot fan, I must admit I was somewhat disappointed Campbell didn't offer his thoughts on every single Poirot episode. Instead, we get an overall review. Still, with 70 different adaptations, that would almost amount to a separate 'Pocket Essential' in itself!

All in all, then, Mark Campbell's Agatha Christie is an impressively complete guide to Agatha Christie's work; an essential Christie encyclopedia. The book is a perfect birthday or Christmas present for anyone who has an above average interest in all things Christie. Or those who don't know her range - from crime to thriller, adventure, poetry, romance and children's stories. I'll certainly have my copy available whenever an 'uninitiated' Christie fan stops by!

Wednesday, 1 July 2015

The Screenwriters: Nick Dear

Photo: Nobby Clark

"I was first approached to do it in 2002 I think. (...) I couldn't say Agatha Christie was very high on my reading list. I thought I was much too much of an intellectual for that. I'm now prepared to accept that I might have been too much of a snob because after a dozen years of being associated with the shows, because I have written six of them now for ITV, I think it's very classy entertainment and I'm pleased to be associated with it." (Huffington Post interview, 2013)
Nick Dear (1955-) wrote six adaptations for Poirot between 2003 and 2013. Outside of Poirot, he is known as a BAFTA-winning script writer (for Persuasion, an adaptation of Jane Austen's novel, in 1995). He has also written biographical TV movies on Byron and Beethoven. In 2011, he adapted Mary Shelley's Frankenstein for the stage, directed by Danny Boyle and starring Benedict Cumberbatch and Johnny Lee Miller (the two Sherlocks!). In other words, he was no stranger to literary adaptations when he was asked to adapt Christie's novels. 
"Nobody ever grieves for a minute in Christie; 10 seconds of grief, then it's onto the next murder. What we've done with them in the last 10 years is make them rather darker, existentially bleaker, and have Poirot faced sometimes with very difficult moral choices" (Huffington Post interview, 2013)

Friday, 12 June 2015

The Screenwriters: Guy Andrews



"The book, by Agatha's own admission, was not one of her favourites, and we've taken some monstrous liabilities with it." (Behind the scenes: The Mystery of the Blue Train, 2006)
Guy Andrews wrote four scripts for Poirot: The Mystery of the Blue Train and Taken at the Flood for Series Ten (2005-2006), Appointment with Death for Series Eleven (2008), and The Labours of Hercules for Series Thirteen (2013). He is known for the mini-series Lost in Austen, Blandings and Prime Suspect 5: Errors of Judgement. The first two demonstrates that he is entrusted with adapting other literary classics (Jane Austen and P. G. Woodehouse), and in Lost in Austen I'd say he succeeds, at least within its genre of television. Prime Suspect, the award-winning and exceptional series starring Helen Mirren, proves that he masters the crime genre, and his episode is actually rather good (Prime Suspect 5 won and Emmy for Outstanding Miniseries).

Sunday, 7 June 2015

The Screenwriters: Anthony Horowitz

(Photo: Andrew Crowley, The Telegraph)

Anthony Horowitz (1955-) wrote eleven adaptations for Agatha Christie's Poirot between 1991 and 2001. His body of work is too long to summarise here, but he is a miracle man. Where does he get his energy from? In addition to Poirot, he created and wrote nearly all the scripts for the exceptional Foyle's War (2002-2013) and wrote the first few scripts for Midsomer Murders (1997-). He also wrote and created three other successful crime dramas; Murder in Mind (2001-2003, with a significant role for David Suchet in the first episode "Teacher"), Collision (2009) and Injustice (2011). Outside of television, he is a renowned author of young adult novels, and has written for both the Arthur Conan Doyle / Sherlock Holmes (The House of Silk, Moriarty) and the Ian Fleming / James Bond (Trigger Mortis) estates. So he is by no means a stranger to the crime genre.
"Brian Eastman [the original Poirot producer] was thinking of doing a series of Maigret and they brought me in as a possible writer, and when that didn't happen, I ended up writing scripts for Poirot. Actually, I'm much more of an Agatha Christie than Georges Simenon fan. I first encountered her as a student in my gap year and read them while I was travelling around the world – I think I read about 30 of them in one long journey. Why be snooty about her? She is what she is, which is a wonderful constructor of puzzles."  (The Guardian interview, 2013).
With Hastings I used to have a competition with Brian (Eastman) to see have many times I could get the words 'Good Lord!' into the script. Hastings would always hear something; Poirot would make an announcement, and Hastings would say 'Good Lord!'.  Two or three times in one script was good going, I used to think. (Super Sleuths, ITV, 2006)

About Me

I'm a passionate fan of Poirot, Agatha Christie and the ITV series. If you have any questions, comments, suggestions or requests, please e-mail me at poirotchronology@gmail.com, post a comment on one of my blogs, or get in touch on Twitter @pchronology. (I used to call myself HickoryDickory)